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Thirty years after Bas Jan Ader failed to return from a solo crossing of the Atlantic, the interest in his work continues to grow. In less than ten years he created some thirty-five works of art in which falling, physical and emotional vulnerability and mortality are the central themes. Published to coincide with a retrospective exhibition, this thoroughly illustrated catalogue provides a much needed overview of these and other aspects of Ader's work. Also includes contributions by Tacita Dean, J rg Heiser and Erik Beenker, amongst others.
- Sales Rank: #2940978 in Books
- Published on: 2006-06-01
- Binding: Paperback
- 176 pages
Most helpful customer reviews
14 of 14 people found the following review helpful.
Can video art be catalogued? Yes, it can. Gloriously.
By Cynthia Rodr�guez
Although my collection is rather small, I am a big fan of art catalogues.
A short time ago, I was having a conversation with a friend of mine concerning video art catalogues. He was saying there was no point in making art catalogues for something that is in motion and has to be experienced live, and that they were as subjective as movie reviews.
"Bas Jan Ader: Please Don't Live Me" proves him wrong somehow. This catalogue, edited by the Museum Boijmans Van Beuningen, is incredibly complete and objective. It includes not only the listing and images of videos and installations, but also the documenta (sketches, photographs, bulletins, invitations, correspondence, etc.) that made them possible. As a plus, it also contains the very early works of Bas Jan back in the days when he was just beginning his studies in America (paintings and sculptures that were very influenced by CoBrA) and the ones he was working on during his MA studies (paintings, as well as very surreal illustrated books). The descriptions of the works (specially the films) are so detailed you can almost imagine you're watching everything. Obviously, this can never be compared to the experience of actually seeing them projected somewhere.
For well-known reasons, Bas Jan has been seen from a biased, romantic point of view, as a tragic hero. The essays in this book, au contraire, are deep and impartial. They tell you his pros and cons. They tell you about his pedantic behaviour as a youngster. About his love for ladies and investment on natural resources (usually, losing). But also about his family's story of struggle during World War II, his father's death and his mother's book about it. Experiences that were tremendous influences for most of his work, along with his admiration towards artists such as Piet Mondrian and Yves Klein (the reason why he would always dress in International Klein Blue). Another essay, by J�rg Heiser, also denies the portrayal of Bas Jan as a tragic hero, as he compares his slapstick humour to that of Charles Chaplin and Buster Keaton's movies. He makes an exception to this comparison in a couple of projects (the melodramatic "I'm Too Sad to Tell You" and the lethally ambitious "In Search of the Miraculous") that are not exactly to laugh about.
As an extra point, I shall comment that the book's design, both inside and outside, is so utterly beautiful that the cover image you see here makes it no justice at all. Neither would sharing an image from the pages inside.
Art in motion can be catalogued. In books in motion, exactly like this one.
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