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Memoir of the pot-boiling Gabor sister as told to Gerold Frank, who came to prominence when "outed" as the ghost writer for Lillian Roth for "I'll Cry Tomorrow" Gilt lettering on title and spine. First Edition. 35 photos. 309 pages.

• Sales Rank: #263485 in Books
• Published on: 1960
• Number of items: 1
• Binding: Hardcover
• 309 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
An Ode to Zsa Zsa Gabor!
By J.R.
If you're an avid reader and lover of celebrity biographies and autobiographies, then you'll hit gold with this one. Gerold Frank hits you right away with the dramatic impact of the world that Zsa Zsa Gabor was born into - her parents' fiery dispositions and fights, the country's struggle to survive during the war and the family's determination to stand tall against all forms of bullies. From an early age, Zsa Zsa (born Sari) was a beauty, winning a pageant, but losing technically because she was only 15, when they had to be 16 to win. She was destined to meet giants among men and having more influence on others' lives than us the reader or they would ever know. What a life! What a lady! She was a survivor and a fighter, despite her insecurities. She was all woman, appreciating men for their gentlemanly ways than for their looks. She was one of a kind, with her blunt opinions of life and people. The places she's been! The people she knew! Her life should be the subject of a miniseries, but no one would believe it! This ranks right up there with Errol Flynn's memoirs as one of my all-time favorite books of its kind. Mr. Frank can tell a story and can turn a phrase - a master of his craft and his subject matter is pure heaven for a writer! I loved Zsa Zsa Gabor, the actress, before reading this and now I admire and respect her more than ever. You really come to understand her and frankly there was more depth to her story than Errol's - more vulnerability, more reality. This should have won some kind of award for Gerold Frank, who brought into your home and your imagination and laid bare the soul of the beautiful, complicated, and worldly Ms. Zsa Zsa Gabor! Long may she live!

0 of 0 people found the following review helpful.
I COULDN'T PUT IT DOWN
By Kemble W. Scatchard
I've had this book sitting around FOREVER & was about to donate it to whomever would take it until I realized it was written by Gerold Frank ...I have other works by this author, so thought ..."Why Not?"

I met Zsa Zsa (& Eva) more than once at various times and places in Beverly Hills. In fact, when I was Pianist in Residence at Hotel Bel Air (1989-91) I began playing the Theme to Moulin Rouge (Where Is Your Heart) -entirely unaware that she was in the corridor (or that she had sung it in the original movie) Zsa Zsz came through the door and over to my piano, rested her elbows on it and sang along while I played. She must have thought I was playing it especially for her ...but that happens a LOT ...I'll play a song and people will walk in and exclaim, "HOW DID YOU KNOW THAT'S OUR TUNE!!" ...LoL ...I didn't even know they were there ....
Pardon ...I digress.

"Society," was unduly harsh on her at that time. I knew Phil Paladino as well ...he was her publicist at the time and came up with the "Slapping the cop" stunt. The opinions I've always carried since then have been changed 180˚ after this enthralling read!! I am FAR more charitable towards the entire Gabor family and continue to be even more of a fan.

The Gabor story is also a history lesson about Eastern Europe pre-WWII. xoxo :) ENJOY!! I couldn't put it down.

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[Y612.Ebook] Ebook Download Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (Dover Books on Music), by Knud Jeppesen

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This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology. The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint.
In Part One, Knud Jeppesen (1892–1974), the world-renowned musicologist and leading authority on Palestrina, offers a superb outline history of contrapuntal theory. He begins by exploring the beginnings of contrapuntal theory from the ninth to the fourteenth centuries. This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the "Palestrina Movement" after Fux, and more. The section ends with illuminating coverage of notation, the ecclesiastical modes, melody, and harmony.
The second part of the book contains an extended treatment of "species" counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and the Mass. Throughout, the text is generously supplied with musical examples―exercises, solutions, and illustrations, including many by the great composers. For this edition, the distinguished scholar Alfred Mann has contributed a new foreword to Jeppesen's classic study. Now available in paperback for the first time, it will be welcomed by musicians, composers, theorists, musicologists―any student of counterpoint and the Western musical tradition.

• Sales Rank: #337702 in Books
• Brand: Dover Publications
• Model: 06-27036X
• Published on: 1992-03-27
• Released on: 1992-03-27
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .61" w x 6.14" l,
• Binding: Paperback
• 320 pages

Features

• The Polyphonic Vocal Style of the Sixteenth Century.
• By Knud Jeppesen foreword by Alfred Mann.
• Series: Dover Edition.
• Category: Textbook - General.
• Format: Book.

Language Notes
Text: English
Original Language: Danish

From the Back Cover
This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology. The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint.
In Part One, Knud Jeppesen (1892–1974), the world-renowned musicologist and leading authority on Palestrina, offers a superb outline history of contrapuntal theory. He begins by exploring the beginnings of contrapuntal theory from the ninth to the fourteenth centuries. This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the "Palestrina Movement" after Fux, and more. The section ends with illuminating coverage of notation, the ecclesiastical modes, melody, and harmony.
The second part of the book contains an extended treatment of "species" counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and the Mass. Throughout, the text is generously supplied with musical examples―exercises, solutions, and illustrations, including many by the great composers. For this edition, the distinguished scholar Alfred Mann has contributed a new foreword to Jeppesen's classic study. Now available in paperback for the first time, it will be welcomed by musicians, composers, theorists, musicologists―any student of counterpoint and the Western musical tradition.
Unabridged Dover (1992) republication of the edition published by Prentice-Hall, Inc., New York, 1939.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Jeppesen's explanation of Counterpoint
By James Gabbard
It is both wonderful and disturbing to see how a few basic priciples form the basis of music written during a span of over four centuries. The book came highly recommended to me and I pass that recommendation on to others. One caveat: ya gotta really love composing and music theory to make this book worthwhile.

12 of 12 people found the following review helpful.
A useful classic for developing composition skills.
By Hexagram of the Heavens
I leave the original review intact below. I still love Jeppesen, and his method creates beautiful exercises. His guidelines for melody writing are unique and priceless. I leave the five stars, but I have some new criticisms.

To wit: I now believe that when Fux evoked the spirit of Palestrina, p. 18 of Alfred Mann's translation, he was just blowing some rhetorical smoke. He was not trying to emulate Palestrina at all, he was teaching Zarlino's system of modes based on the hexachord. When Jeppesen revised the method and chopped out the Lydian mode, saying that Palestrina really only used the Ionian, this was a big misunderstanding of Fux's teaching. Jeppesen's system uses only Ionian, Dorian, Phrygian, Mixolydian and Aeolian. Fux's also has the Lydian with Bb. Yes it's superficially the same as the Ionian, if all you are doing is species counterpoint exercises. But in real composition, we have to modulate, and modulation to any of the six possible cadence points of the hexachord was what Fux was teaching, and Jeppesen has overlooked this because he is directly focused on Palestrina.

There is one other shortcoming in Jeppesen's method, which I merely report from experience. In disregarding the distinction between the plagal and authentic modes, Jeppesen overlooks the importance these complementary structures have both in fugal answers and in the disposition of the four voices in the Gamut.

Now the original review:

This has been one of my favorite books for 30 years. It may be that Peter Schubert's book is more practical for the beginning counterpoint student. But I love Jeppesen.

The standard text of the 18th century, used and endorsed by Bach, Mozart, Haydn and Beethoven, was J. J. Fux's 1725 book "Gradus ad Parnassum", available in English as "The Study of Counterpoint." Fux's book is in the archaic "dialogue of teacher and pupil" style, and it's a tough read. Not that Jeppesen's easy... but Jeppesen was, 80 years ago, the authoritative update to Fux, with a better historical perspective (although there are some modern scholars with different ideas) and remains a very practical book. (Acknowledged: you must read C-clef, or be willing to learn. It's not rocket science.)

Why study 16th c. counterpoint? It's a very clear, classic style. Bach's counterpoint style is a difficult starting place for someone who wants to learn this art, but AFTER reading Jeppesen, it becomes apparent what some of Bach's operating principles were that evolved from the earlier style. In fact, the whole development of western harmony up through jazz is easier to understand once you have read and understood Jeppesen - and let me also mention that the historical overview with which he opens the book is worth the price of the book by itself.

6 of 6 people found the following review helpful.
Wonderful text - for serious music students a must have
By Chris Sahar
I disagree this book's use is limited to 16th century counterpoint. The only case I would agree is a student new to counterpoint who jumps right to the exercises in species counterpoint.

In reality, 16th century counterpoint is the gateway to understanding 18th century and even more modern usage of it as you learn an excellent standard to compare later developments. Also, the exercises in writing imitation, invertible counterpoint are great. And yes the essay on its development thru the 19th century is fantastic.

Now I will not say this is the most comprehensive - for that there is a French tome published in the early 20th centurey which is encyclopedic. The name slips my memory.

But for compactness and depth of its topic and providing its context as well as the great exercises, Jeppesen's will be a book you will always return to. That is rare for textbooks.

I'd say this book is especially good for music composers and song writers (yes pop ones too). The author spends much time discussing melodic writing in addition to contrapuntal writing.

Finally the presentation is far more in line with modern readers' experience, the old presentation of question and answer and deduction may have its merits but I agree it is a tough way to present a new topic to someone. Start with this, then go to Fux and studies of scores (yes Counterpoint and Compositions is a good text when shown by a teacher how to employ the methods, otherwise it can be limiting in its impact upon learning).

In sum, for the serious music student this should be one of the 10 - 20 essential texts in your library. For music lovers steeped deeply in Medieval and Renassaince music and some understanding of music theory, this would enhanace your appreciation of the craft and the music - and hey you may find yourself writing some great liturgical music for your choir in the end!

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• Binding: Spiral-bound

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• Sales Rank: #1003848 in Books
• Brand: Brand: Jossey-Bass
• Published on: 2006-06-16
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x .72" w x 6.25" l, .73 pounds
• Binding: Hardcover
• 160 pages

Features

• Used Book in Good Condition

Review
"Given today's fast pace of life, we all need Lisa's coaching on setting priorities! Quit saying, 'I can do it all!'� Read this book and say, 'I can do what matters!'� Great coaching for busy people!"
—Marshall Goldsmith, executive coach; author or coeditor of The Leader of the Future, Global Leadership, and Coaching for Leadership

"In this hyperactive world where our work is interrupted once every eleven minutes it’s easy to conclude that as critical as focus is, it is beyond our grasp.� But with this book in hand you can get both the methods and the kick-in-the-pants you need to overcome easy excuses and make focus a competitive advantage for you and your team."
—Laurence Haughton, author, It’s Not the Big That Eat the Small . . . It’s the FAST That Eat the Slow and It’s Not What You Say . . . It’s What You Do

"Lisa Haneberg’s thoughtful book, Focus Like A Laser Beam, is important reading for managers and others looking to create value in their organization.� In a time when too many priorities, messages, and issues make decision making difficult to do, this book helps the reader effectively sort through these items by focusing on what’s important in improving their organization."
—Ken Thrasher, CEO, Compli, and�retired CEO and president,�Fred Meyer Stores

From the Inside Flap
Today's business managers and leaders are expected to handle impossible workloads and get results. Those who are successful know how to distinguish what they "must" do from what they "should" do, and to focus with mindfulness, purpose, and direction on the tasks that most directly affect bottom-line results.

In Focus Like a Laser Beam, acclaimed management consultant?and business blogger Lisa Haneberg offers business leaders a new way to direct their focus that, like a laser beam, is direct, fast, and on track. The book offers leaders ways to improve energy and engagement in the workplace and redirect how people communicate at work. Focus Like a Laser Beam is filled with useful suggestions for dealing with distractions and diversions and outlines the ten practices that will help leaders focus on what's most important.

• Know and feel the power of laser focus
• Get connected with your employees
• Have fun and be fun
• Relax to energize
• Turn meetings into focus sessions
• Invite a challenge
• Huddle
• Stop multitasking and put your focuswhere it belongs
• Do one great thing
• Let go of outdated goals, projects, and tasks

This groundbreaking book combines interviews?with top executives with the lessons learned from Lisa Haneberg's experience working with such cutting-edge companies as Intel and Amazon.com. The book shows managers how to prioritize their most crucial responsibilities and execute them with laser-like focus. Written to be a practical guide, Focus Like a Laser Beam features self-diagnostics, exercises, and includes step-by-step plans to create immediate improvement in streamlining processes and achieving results for leaders and their teams.

From the Back Cover
Your Guide for Focusing Like a Laser Beam

"Given today's fast pace of life, we all need Lisa's coaching on setting priorities! Quit saying, 'I can do it all!'? Read this book and say, 'I can do what matters!' Great coaching for busy people!"
—Marshall Goldsmith, executive coach; coauthor, Global Leadership; coeditor, The Leader of the Future and Coaching for Leadership

"In this hyperactive world where our work is interrupted once every eleven minutes, it's easy to conclude that as critical as focus is, it is beyond our grasp.? But with this book in hand you can get both the methods and the kick in the pants you need to overcome easy excuses and make focus a competitive advantage for you and your team."
—Laurence Haughton, author, It's Not the Big That Eat the Small . . . It's the Fast That Eat the Slow and It's Not What You Say . . . It's What You Do

"Lisa Haneberg's thoughtful book, Focus Like A Laser Beam, is important reading for managers and others looking to create value in their organization.?In a time when too many priorities, messages, and issues make decision making difficult, this book helps the reader effectively sort through these items by focusing on what's important in improving their organization."
—Ken Thrasher, CEO, Compli, and retired CEO and president, Fred Meyer Stores

"Lisa is a master at helping us focus like a laser beam and ensure our processes are aligned to produce our business objectives. As a leader, the techniques in this book are invaluable for helping me ensure my organization is communicating well and nimble enough to change when needed."
—Jeffrey D. Krida, president and COO, Cruise West

Most helpful customer reviews

19 of 21 people found the following review helpful.
Disappointed
By Jay Dreyer
I was expecting something different from this book - maybe something more along the Getting Things Done path than what this ended up being. It is definitely a short read - the highlights are outlined in the book description above.

I'd say this is definitely geared more towards management than worker bee's, but there are still a few things anyone can use. Number one being, just say "no" to meetings that don't provide any value. Other than that (which I already try to practice), I just didn't get much out of this book. I'm a little surprised by all of the glowing reviews I read here. Maybe I missed something.

11 of 12 people found the following review helpful.
This book turned my head around, not to mention my department
By Marketing Director
Nine months ago I was hired to help turnaround a once successful business. From day one I realized that this was a company without focus. It's one thing to define a problem, another to find a solution. Haneberg's book was a shot in the arm. Just one concept -- "Stop Multitasking" -- would have been a major breakthrough for my team. And, personally, the idea of doing "One Great Thing" has completely revitalized my approach to a huge job. This book immediately rose to the rank of three or four "must read" titles in my business library. In the couple of months since I first read it (and I've re-read it a couple of times) our department has moved far away from the reactive mode that drove decisions -- we're nailing deadlines, we're closing more sales, we're thinking more strategically across the board. In a business and social environment that throws more at us day-by-day, hour-by-hour, this book is even more important than it would have been just a few years ago. We're all doing more with less -- and this is a book that has helped me see order amid the chaos of conflicting priorities. If it's true, as Woody Allen says, that 98% of success is showing up, then the other 2% is knowing how to keep your eye on the ball once you get there. This is the manual for getting your business -- and your life -- where you want it to be.

7 of 7 people found the following review helpful.
Clarity, Vision, Action, and Results
By Scott Ahlsmith
If you want goal-setting glitz and glamour, watch an infomercial. If you want a commonsense management refresher course that reorders your thoughts and shows you a step-by-step path leading to breakthrough successes, read, "Focus Like a Laser Beam."

This is one of those books that sneaks-up on you. You read a section, pause, nod knowingly, and keep reading. Then, throughout the following days and weeks the book's messages keep bubbling to the surface as your context and focus changes.

This book is all about establishing clear visions and focused actions that produce results. Of the book's "10 Ways to Do What Matters Most," my favorite is, "Stop Multitasking, Start Chunking." I always prided myself on my ability to multitask and keep dozens of projects moving at the same time.

After reflecting on this section of the book, I stopped and focused on each project. I realized I had created a great deal of commotion, with very little forward movement.

By carving out "chunks" of time to focus and respond to each project, I immediately experienced a series of small breakthrough accomplishments.

Sure, in hindsight it was commonsense, but without having read "Focus" and learning to dedicate chunks of time to important tasks, I would probably never finished this review.

See all 14 customer reviews...

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