Monday, December 16, 2013

[M350.Ebook] Ebook Free The Reiki Bible: The Definitive Guide to Healing with Energy, by Eleanor McKenzie

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The Reiki Bible: The Definitive Guide to Healing with Energy, by Eleanor McKenzie

The Reiki Bible: The Definitive Guide to Healing with Energy, by Eleanor McKenzie



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The Reiki Bible: The Definitive Guide to Healing with Energy, by Eleanor McKenzie

Reiki practitioners have unlimited access to healing energy—for themselves and others. For this reason, it has quickly spread across the globe as people use it to cure ills, soothe emotions, and live the life they want. The Reiki Bible provides a comprehensive, stunningly designed guide to this ancient spiritual system. It covers Reiki’s origins and development; the energy and body systems; and the three levels of Reiki. All the hand positions appear in easy-to-follow captioned photographs, and there’s advice on using Reiki for friends and family; at all life stages; for health and well-being; for alleviating common conditions; and in tandem with other therapies.

  • Sales Rank: #45891 in Books
  • Published on: 2009-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.50" h x 1.10" w x 5.40" l, 1.35 pounds
  • Binding: Paperback
  • 400 pages

Most helpful customer reviews

60 of 60 people found the following review helpful.
Remarkably detailed and thorough for such a little book
By Tsu
I've bought several Reiki books, some better than others, when I found this one at the store. It's fairly inexpensive, full of color photographs, glossy and aesthetically pleasing. So I took a chance and bought it, and I'm glad I did.

The thing about Reiki is that 1) You can't learn it from a book, you must be attuned, and 2) There isn't a whole lot that you HAVE to know in order to give Reiki to yourself and others. Once you advance past the first level, there's more to learn and remember, but for the most part if your Reiki 1 teacher handed out supplementary materials, you're good to go. As such, I've found with most Reiki books that they pretty much repeat what were in my class materials (in a bit more detail, of course) and a whole lot of "In my experience..." type stories that are inspiring and encourage you to keep practicing but aren't directly linked to enriching your personal practice of Reiki.

What's neat about this book is that it does go into the history of Reiki and energy practice/healing in general, talks about the original Masters that learned from Usui, and then proceeds into actual methods originating from Reiki and outside of Reiki that can enrich your practice and integrates them. There are energy exercises originating from yoga, Tai Chi/Qi Gong, and general visualization meditations that help you in a variety of ways including (but not limited to) feeling the energy, centering, balancing, grounding, and more. They go into great depth about the hand positions for general Reiki treatments, and also offer alternative hand positions if something is not possible or uncomfortable for the practitioner or patient. I personally encountered some discomfort due to an injury when performing self-treatment and there are alternate hand positions offered in this book that made self-treatment a possibility without inducing pain (which is kind of defeating the purpose) on myself. Additionally, they offer series of hand positions that are specifically designed to work on specific ailments, like migraines, specific illnesses, menstrual issues, etc. Instead of it just being simplified to "put your hands where it hurts", it targets the associated organs that are either the root of the problem or hurt by the problem in classic Chinese medicine.

This Reiki Bible is indeed a wonderful reference piece. It's small, portable, and whenever I have a question or a problem that my original class and materials don't seem to address I go to it and usually find the answer I'm looking for. A lot of materials and references are quick to talk about Chakras (which this book also does), but the original concepts of Chi are much more closely related to Reiki than Chakras, and I've found that other books and even the materials I received from my attunement are completely lacking the information about Chi imbalances and what role the organs play in energy balancing and healing.

Ultimately, if you took a good Reiki class, you probably already have all you need to deliver treatments to yourself and others. But the knowledge packed into this little book really deliver a lot of knowledge about the associated branches of medicine and energy and is a fantastic resource for the price. It'll also give you some additional knowledge to help you explain Reiki and what exactly Reiki does when people ask instead of the usual "balances energy imbalances/the chakras." I definitely recommend it!

20 of 21 people found the following review helpful.
everything you need to know in one book
By Kindle Customer
I love this book,I took Reiki 1 & 2 ,the classes came with a manual. This book has everything I learned put into one spot. It has wonderful pictures to show where to place your hands & also has information about chakras & how to treat specific ailments.

12 of 13 people found the following review helpful.
Reiki Bible
By V. Gotaskie
Contains so much information about Reiki in one book. I've read several Reiki books, but they've only talked about a few aspects of Reiki. This book is all inclusive. The only book you'll need on the subject.

See all 55 customer reviews...

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Friday, December 6, 2013

[Z608.Ebook] Free PDF Emotion in Motion: Tourism, Affect and Transformation (New Directions in Tourism Analysis)From Routledge

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Emotion in Motion: Tourism, Affect and Transformation (New Directions in Tourism Analysis)From Routledge

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Emotion in Motion: Tourism, Affect and Transformation (New Directions in Tourism Analysis)From Routledge

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Emotion in Motion: Tourism, Affect and Transformation (New Directions in Tourism Analysis)From Routledge

What happens when tourists scream with fear, shout with anger and frustration, weep with joy and delight, or even faint in the face of revealed beauty? How can certain sites affect some tourists so deeply that they require hospitalisation and psychiatric treatment? What are the inner contours of tourist experience and how does it relate to specific emotional cultures? What are the consequences of the emotional cultures of tourists upon destinations? How are differences in emotional culture mobilized and played out in the transnational contact zones of international tourism? While many books have engaged with the structural frames of tourist practice and experience, this is the first to deal with the emotional dimensions of tourism, travel and contact and the ways in which they can transform tourists, destinations and travel cultures through emotional engagements. The book brings together an international array of scholars from anthropology, psychiatry, history, cultural geography and critical tourism studies to explore how the movement to, and through, the realms of exotic people, wild natures, subliminal art, spirit worlds, metropolitan cities and sexualised 'others' variably provoke emotions, peak experiences, travel syndromes and inner dialogues. The authors show how tourism challenges us to engage with concepts of self, other, time, nature, sex, the body and death. Through a set of ethnographic and historic cases, they demonstrate that such engagements usually have little to do with the actual destination but rather, are deeply anchored in personal memories, repressed fears and desires, and the collective imaginaries of our societies.

  • Sales Rank: #6172624 in Books
  • Published on: 2012-05-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x .85" l, 1.57 pounds
  • Binding: Hardcover
  • 308 pages

Review
'An exploration of the role of emotion in tourism, of inner subjectivity, of how the tourist actually experiences the places and peoples visited. Tourism comes alive. A ground breaking contribution that will influence tourism studies for decades. ' Edward M Bruner, University of Illinois, USA; author of Culture on Tour: Ethnographies of Travel 'Tourism is contemporary culture's most effective general mechanism for stamping socio-cultural meaning onto the human psyche. This collection is the first to document the emotional contours of different tourist itineraries. More than establishing a salient new direction for tourism research, these essays have a rich quality of immediacy and realism that every sightseer will recognize from their own experiences. These models of emotional connections of tourist subjectivity to the symbolic objects of travel desire are long overdue.' Dean MacCannell, Author of The Tourist (1976 and 1999) and The Ethics of Sightseeing (2011) 'Picard and Robinson have created yet another compelling addition to the academy for scholars of the touristic. It seems whenever they collaborate to produce an edited volume the result is careful, well researched, and valuable as a contribution to knowledge.' Annals of Tourism Research

About the Author
David Picard, is Senior Research Fellow, CRIA-New University of Lisbon, Portugal and Mike Robinson is Professor, Chair of Cultural Heritage, University of Birmingham, UK

Most helpful customer reviews

1 of 1 people found the following review helpful.
Why is a 298 page book priced at $95 + ?
By Books n' music fan
I think the title of this "review" says it all.
Why the crazy price? Is there some businesses that the publisher is trying to gouge?

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Thursday, December 5, 2013

[N895.Ebook] Download The Art and Films of Lynn Hershman Leeson: Secret Agents, Private IFrom University of California Press

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The Art and Films of Lynn Hershman Leeson: Secret Agents, Private IFrom University of California Press

Lynn Hershman Leeson's groundbreaking installation, performance, photography, video, digital, and film works have earned her an international reputation as a prodigious and innovative artist. This first historical and critical analysis of her work by prominent scholars and the artist herself brings nearly forty years of creative output into focus by tracking the development of her constant themes through each medium. The provocative essays in this volume, ranging from formal to theoretical to psychological to poetical analyses, establish her place at the forefront of contemporary art.

Hershman Leeson's work explores vision, spectatorship, and the construction of sexed subjectivity, touching on key feminist concerns relating to the lived experience of the physical body and the body as a medium on which social law and values are inscribed. Her projects of self-analysis and self mythification explode stable notions of identity. The Art and Films of Lynn Hershman Leeson demonstrates how Hershman Leeson's work uniquely mirrors fragmented human subjectivity at the beginning of the twenty-first century. Especially useful are the artist's updated chronology and a DVD with excerpts from several of her works.

Copub: Henry Art Gallery, University of Washington

  • Sales Rank: #2971766 in Books
  • Published on: 2005-12-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .75" w x 7.00" l, 1.42 pounds
  • Binding: Paperback
  • 248 pages

Review
"Lynn Hershman is regarded as the most influential female artist of new media."

From the Inside Flap
"Lynn Hershman is regarded as the most influential female artist of new media."—Rudolph Freiling, Curator, Media Art, ZKM Mediammuseum

"Lynn Hershman Leeson's universe is the super-radical and unstoppably empowered kindergarten of all our wildest dreams: where no limit exists to our optimism and our curiosity, where even our intellects can bask in glee and play. Working alongside her is one of the true delights of my life. She makes my cells rejoice. I love her with a will."—Tilda Swinton

"Lynn Hershman applies her wise intelligence, inspired humor, and good emotional sense to life in our cyber-environment. Her recent film Teknolust is a humanist's guide to real technological opportunities that we nevertheless barely imagine-it's just one channel of the fantastic course tracked by The Art and Films of Lynn Hershman Leeson."—Richard Shiff, Director, Center for the Study of Modernism, The University of Texas at Austin

"As the first sustained critical exploration of Lynn Hershman's artistic practice, this anthology offers a rich context for understanding the artist's pioneering works. The world that Hershman has created through her art is populated by doubles and clones, tele-robots, and artificial intelligences living on the Internet-all of them engaged in the possibilities of constructing identity. The interwoven narratives forming the matrix of Hershman's work are unraveled here in lucid and engaging essays that provide an in-depth reading of her projects and trace their influence in the fields of visual arts and pop culture."—Christiane Paul, Adjunct Curator of New Media Arts, Whitney Museum of American Art

"Lynn Hershman is simply one of the most brilliant and original artist-filmmakers in the world today."—Eleanor Coppola, Artist/Filmmaker

"You've been my best model of courageous living."—Sheldon Renan, Founder, Pacific Film Archive, UC Berkeley

"With brilliant, imaginative fluidity, Lynn Hershman moves between many worlds and mediums—between fact and fiction, between past, present and future times, and between live performance, writing, video, film and cyberspace."—Moira Roth, Trefethen Professor of Art History, Mills College

About the Author
Lynn Hershman Leeson is Emeritus Professor at the University of California, Davis, A.D. White Professor at Large at Cornell University, and editor of Clicking In: Hot Links to a Digital Culture (1996). Meredith Tromble is visiting faculty at the San Francisco Art Institute and editor in chief of Art Contemporaries. Robin Held, currently Chief Curator at the Frye Art Museum in Seattle, is the curator of Hershmanlandia: The Art and Films of Lynn Hershman Leeson, a retrospective of Lynn Hershman Leeson's work.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Excellent overview while providing detailed analyses
By L. Gamble
Documenting 35 years of cutting-edge work from one of America's most important contemporary artists, The Art and Films of Lynn Hershman Leeson is a "must have" for academics, artists and anyone interested in contemporary film, video, performance art, installation art, feminism or new media. If Leeson's range of media seems impressive, run down the list of her technical innovations, which reads like the dreams of several artists rather than the achievement of one (a theme, by the way, underscored throughout her work): creator of one of the first interactive videodisc artworks, one of the earliest networked robotic art installations, the first artwork to use touch-screen interface and, most recently, a process for making virtual sets, called LHL, designed for her first feature film, Conceiving Ada. Her reputation as a constant innovator and "pioneer of new media" isn't surprising, unlike the fact that this book is the first comprehensive look at her work. If you don't know about Lynn Hershman Leeson already, you should.

Published in conjunction with the exhibition Hershmanlandia: The Art and Films of Lynn Hershman Leeson, this book does an excellent job of both providing coverage while offering detailed analyses of Leeson's work. Edited by artist and art historian Meredith Tromble, the text includes a well-balanced selection of multidisciplinary essays written by art critics, historians and curators, film historians and theorists, and Hershman herself. Hershman's "Private I: An Investigator's Timeline," gives a succinct yet detailed account of her career while reenacting her playful, witty and sophisticated use of autobiography as a means to articulate the complexities of subjectivity in general, where binary distinctions such as public vs. private, personal vs. political, human vs. machine, art vs. science, fantasy vs. reality, and art-making vs. world-making are, through a plethora of odd meetings and wild matings, playfully problematized and profoundly upended.

The collection of essays are, for the most part, concise and insightful, produced by some of the best scholars in their respective fields. For example, Abigail Solomon-Godeau reads Leeson's strategies of "conscientious objectification," her "intervention into the mechanics of spectacle," as a form of "ethical self-reflection," while Amelia Jones locates Leeson in a genealogy of performative photographic self-display routed through Claude Cahun, recognizing Leeson's ability to simultaneously affirm both surface and depth in an image, the "simulacral nature of postmodern culture" and the lived experience of a subject in the flesh--in this case, "female experience in patriarchy." David E. James also addresses Leeson's work as a performance of self, but shows how Leeson complicates and extends this strategy by working with the influences, tensions and contradictions that circulate between autobiography (as authorial agency, biographical truth as well as fabrication) and the materiality of representation (in this case video), throwing into relief the tenuous and porous boundaries between the individual and the social, subjects and objects of knowledge, truth and fiction, life and death, and trauma and healing.

The book contains 17 color plates, a good number of figures, and a beautifully organized DVD that includes presentation of the artworks (both stills and clips), more essays on Hershman's work, and selected histories: videos, films, exhibitions and awards. While much of the material overlaps, the DVD will also point you to Hershman's website and impressive web-based projects, such as Agent Ruby. Be sure to check them out.

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