Saturday, June 25, 2011

[Z303.Ebook] Free Ebook The Money Illusion, by Irving Fisher

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The Money Illusion, by Irving Fisher

2011 reprint of 1928 edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. In economics, money illusion refers to the tendency of people to think of currency in nominal, rather than real, terms. This is a fallacy as modern fiat currencies have no inherent value and their real value is derived from their ability to be exchanged for goods and used for payment of taxes. The term was coined by John Maynard Keynes in the early twentieth century, and Irving Fisher 1928 book, The Money Illusion, is one of the most important works on the subject.

  • Sales Rank: #501362 in Books
  • Published on: 2011-02-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .60" w x 5.98" l, .86 pounds
  • Binding: Paperback
  • 264 pages

Most helpful customer reviews

27 of 28 people found the following review helpful.
Science goeth before the fall
By Yaakov (James) Mosher
If you want a succinct primer on money and inflation look no further. Irving Fisher (1867-1947) packs a load into 245 pages of "The Money Illusion." Especially helpful are the definitions of "absolute" and "relative" inflation. The two are usually found together, Fisher notes. This has lead to the dropping of the terms "absolute" and "relative" in latter-day discussions of inflation, resulting in much confusion.
Fisher is among the fathers of Monetarism and Neoclassical economics. We may add Supply-Side to the Yale University professor's progeny thanks to his vision of money as an inherently international issue. Fisher's articulation of a world economy lead by a Federal Reserve managing credit and inflation/deflation through the study of price indexes and directing nations adhering to a gold exchange standard sounds a good bit like the Supply-Side idea of using commodity indexes including gold as the major gauge of inflation.
If there are weaknesses in Fisher's teachings they might be classified under "Fed Worship" and "Scientism." The Federal Reserve creates an inflationary bias in the world's monetary system, Fisher rightly says. Consider this (p. 133): "This power (managing credit), rightly used, makes the Federal Reserve System the greatest public service institution in the world." Now consider the reverse of that. Fisher was forced to do so by the Great Depression that began the year after "The Money Illusion" was published. The Jan. 19, 1928 statement by Treasury Secretary Andrew Mellon, which Fisher includes in an appendix of quotations, should be pondered, especially by current-day folk tempted to view the Fed as a fountain of miracles.
Fisher's life and work are examples of how one era's progressives become the conservatives of later ones. The professor's emphasis on dollar stability and his finding that unbalanced government budgets are the leading cause of inflation would get him a chair at any of today's Republican friendly think tanks including the Hoover Institution (named after Fisher's interventionist friend Herbert Hoover). Yet we should remember Fisher was also a prophet of the new world order. During his times the U.S. was taking over world financial leadership from Great Britain. America's Industrial Revolution, began around the time of Fisher's birth, came into full bloom in the Roaring 20s with the start of mass production of automobiles, airplanes, and many other things we take for granted today. Fisher provided a great service by delving the implications of these developments. If I were to assign Fisher's contributions a place in the history of economic thought I would put them high up in the category of "anticipatory conservatism" along side those of his friend Joseph Schumpeter.
Yet "The Money Illusion" left me wondering if Fisher didn't fall into the trap well-encapsulated by F.A. Hayek's phrase "the misuse of knowledge." After all, what are prices? Can they be grouped into indexes that are then used to manage credit and make the monetary unit a deferred standard of payments? What is money? What is economics?
Suppose the naturalists like Hayek's teacher and colleague Ludwig von Mises are right. Does not building a mountain of "scientific" economics, undertaken sagely by Fisher and others with the best of intentions, set us up to fall further and harder than we otherwise would? Fisher's own life and experience with the Great Depression indicate that this may well be the case yet he admirably kept probing and finding new insights including a debt-deflation analysis very relevant to the Great Recession going on as I write this review.
"The Money Illusion" was written before Fisher's "fall," making it interesting on many levels. It is also a very approachable book, written in a worldly, tough-minded style. The title is provocative as are the book's contents. All this reminds us that in word and through deed, Irving Fisher was, above all, a great teacher.

2 of 2 people found the following review helpful.
The Birth of Monetarism....
By Gregory Alan Wingo
This book represents Fisher's seminal work on money and his recognition as the father of the economic school of Monetarism. In "The Money Illusion" he lays out the nature of money in a modern society and speaks to the false security of gold or any other standard to the "value" of money. He explains clearly the effects of deflation and inflation on currencies and emphasizes the importance of government and their monetary authorities in acting to stabilize their effects through responsible governance of the currency.

Fisher explains and advocates for the integration of the banking system into the Federal Reserve System specifically in the US and generally in all economies. He also recognize that the Fed is already acting as the primary counterbalance on the world economy in 1928 presaging Milton Friedman's critique of the Fed's behavior and incompetence in dealing with the Great Depression.

During the discussion on the gold standard Fisher while not rejecting it does illustrate that it will not provide stability and actually will become a limit as the economy outgrows the physical quantities available on the planet. If the currency is to have a gold basis then he advocates that production of gold should be as strongly regulated as the production of currency by governments and not be left in the hands of individuals or corporations.

The work clearly is the culmination of his early career as a neoclassical economist and lays the foundation for both Monetarism and his future work on debt deflation theory. It is a critical read for both neoclassical and heterodox followers of economics.

2 of 2 people found the following review helpful.
I Love Fisher's writing style but the topic wasn't broad enough
By Robert Kirk
The money illusion, AKA inflation and currency deflation, has been explained extremely well in this book but it's simply not the most interesting topic that Fisher has written about. He seemed to have to find too many examples to defend his case but it wasn't really necessary. He is a master of writing and explaining these complicated subject matters. This book simply isn't one of my favs of Fisher but it's a short book and the beginning of the book is the most valuable. In summary, well worth your time reading this very good book.

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Thursday, June 16, 2011

[J640.Ebook] Free Ebook Periodontal Instrumentation (2nd Edition), by Anna Matsuishi Pattison RDH MS, Gordon L. Pattison DDS

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Periodontal Instrumentation (2nd Edition), by Anna Matsuishi Pattison RDH  MS, Gordon L. Pattison DDS

University of Southern California, Los Angeles. Programmed text of basic clinical periodontal procedures for dental practitioners, hygienists, and dental and dental hygiene students. Spiral bound, 8-1/2 x 11 format. Extensive black and white photographs.

  • Sales Rank: #777192 in Books
  • Brand: Brand: Prentice Hall
  • Published on: 1991-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.73" h x .64" w x 8.33" l, 2.15 pounds
  • Binding: Spiral-bound
  • 485 pages
Features
  • Used Book in Good Condition

From the Back Cover

Peridontal Instrumentation, Second Edition, is the perfect "how-to" manual for the dental hygiene student, dental student, and the practitioner seeking an instrumentation manual which covers both basic and advanced periodontal techniques. The authors have maintained the excellent coverage of basic instruments and skills, while adding state-of-the-art techniques that guarantee the most up-to-date coverage of periodontal instrumentation available.

Each module consists of numerous lessons, each of which includes a convenient performance check list. Over 850 photographs illustrate step-by-step procedures, enhancing comprehension and providing a quick, reliable reference.

  • 15 Principles of Scaling
  • Exploring the Periodontal Patient
  • Advanced Root Instrumentation, which describes treatment of furcations, line angles and deep narrow pockets
  • Instruments Modified for Periodontal Patients including After Five curets, Mini Five curets, and Gracey Curvettes
  • Use of Ultrasonic Scaling Devices

Excerpt. � Reprinted by permission. All rights reserved.

This book was written for dental and dental hygiene students as well as practicing general dentists and dental hygienists. It began as a revision of an earlier book, Dental Hygiene: The Detection and Removal of Calculus, written by Anna Matsuishi Pattison and Jacquelyn Behrens for the U.C.L.A. Allied Health Professions Projects. In planning the revision, however, it became evident that a book of much wider scope and depth was needed in dental education, one designed to systematically introduce both dental and dental hygiene students to the basic clinical procedures of periodontics: Hence, a new book with a new title, Periodontal Instrumentation: A Clinical Manual, was published in 1979. The acceptance of the first edition by the educational community has been most rewarding.

Twelve years have gone by since the first edition of Periodontal Instrumentation appeared. Dentistry and Medicine, and indeed society, have been rocked by the emergence of AIDS. Periodontics has seen a vast increase in the understanding of the etiology and pathogenesis of the various forms of periodontal disease. Despite this, the fundamental concepts and techniques of periodontal instrumentation and its role as the foundation of periodontal therapy has changed little. When we sit down next to our patients in the dental chair, we still treat periodontal disease by removing plaque, calculus, and altered cementum. All of these advances have underscored the importance of instrumentation skills in successfully treating periodontal disease. For this reason, the material dealing with basic instrumentation skills has been retained from the first edition. New material has been added on both fundamental and advanced instrumentation skills for this edition, expanding the application of this text from beginning to advanced students and beyond to the experienced private practitioner.

A significant number of patients suffering from periodontal disease could be treated more successfully if general dentists and dental hygienists were better educated in periodontal examination techniques and in scaling and root planing procedures. Much of the periodontal surgery that is performed today most certainly could have been avoided by earlier recognition of periodontal disease, better patient education, and more thorough instrumentation in the early stages of gingivitis and periodontitis.

Proficiency in periodontal instrumentation especially scaling and root planing, is essential to the ultimate success of any course of periodontal therapy. Even the most sophisticated or complex surgical procedure will not be successful if the clinician has not scrupulously debrided the tooth surfaces. Of all clinical periodontal procedures, subgingival scaling and root planing is the most difficult and exacting skill to master. It seems to be only the exceptional clinician who is able to confidently and consistently perform thorough instrumentation of root surfaces. Because this skill is so commonly performed in dental practice, it is unfortunate that relatively little has been written in the major periodontal textbooks about instrumentation. Also, a relatively small portion of the clinical curricula of most dental schools is devoted to the teaching of this skill, which is the cornerstone of periodontal therapy in the general practice of dentistry.

The book is organized in six modules, which appear in the sequence of the steps in initial periodontal therapy. Module I, Examination Procedures, introduces the extraoral and intraoral examination and the periodontal examination. Module II, Detection of Calculus, describes the use of the explorer and compressed air. Module III, Scaling and Root Planing, teaches the fundamentals of scaling and root planing with universal and Gracey curets, sickles, hoes, files, and ultrasonic sealers. Module IV, Instrument Sharpening, discusses principles of sharpening and demonstrates sharpening of curets and sickles. Module V, Polishing, includes fundamentals of polishing and polishing technique. Module VI, The Periodontal Patient, includes advanced root instrumentation, new instruments specially modified for periodontal patients, and adjunctive procedures such as treatment planning, pain and anxiety control, and gingival curettage.

Each module begins with prerequisites, a general objective and directions for use of the module. This is followed by a series of skills lessons. We have long been concerned about education that teaches "how" but does not emphasize "why". Therefore, each procedure is preceded by a discussion of its rationale. The lessons are followed by review questions, an answer key, and a performance check when appropriate. The performance checks are designed for self-evaluation alone or for self- and instructor evaluation.

Acknowledgments

We are deeply grateful to all of those who provided assistance and encouragement in the preparation of this book. Mrs. Peggy Tsutsui spent many hours writing, reviewing, and revising the new lesson "Exploring the Periodontal Patient." The other members of the dental hygiene faculty at USC provided valuable suggestions and comments during the development of the first edition. The exceptional photography was done by Don Harris and Martin Fong. Artists Valerie Almquist, Maureen De Bose, Ian Warpole, and Douglas Yasuda drew the clear and concise illustrations. Bonina Cohen, Martha Barrera, and Sharon Sanders were all cooperative models who appear in the patient photographs. Kelly Banks provided excellent secretarial support. We would like to thank Richard Saslow, Howard Wax, Warner Ratzel, and especially Karen Neiner of the Hu-Friedy Manufacturing Company for providing historical and technical information on the Gracey curets, as well as the instruments that were photographed for the book. Hank Greenberg of G.C. American Corporation and Dr. Murray Schwartz also provided instruments and information for this edition.

Our appreciation extends to Dr. Henry Takei and his wife, June Takei, who on several occasions inspired us to go on writing because of their enthusiasm and concern for the periodontal education of dental and dental hygiene students. Likewise, we are sincerely indebted to Dr. Esther Wilkins, colleague and good friend, who has been a constant source of inspiration, encouragement, advice, and professional expertise through both the first and second editions.

We would like to express our gratitude to William Schmitt, Jolene Vezzetti, and Charles Evans of Appleton & Lange for their support and patience in the preparation of this manuscript.

Finally, we would like to say to our parents, family, and friends and especially our children, Geoffrey and Andrew, thank you for bearing with us. We sincerely appreciate your understanding and faithful endurance in support of our endeavor.

Anna Matsuishi Pattison
Gordon L. Pattison
Los Angeles, California
June 1991

Most helpful customer reviews

0 of 0 people found the following review helpful.
She has helped me become an even better dental hygienist
By kristen's books
Anna Pattison's book is very helpful, as are her lectures. If you ever get a chance to take her hands on course do it! She has helped me become an even better dental hygienist.

0 of 0 people found the following review helpful.
Useful book
By Oren S
Book was very useful, very detailed. Most of it was pictures and diagrams showing how to hold the instruments and approach the patient. But only got it because I needed it for school..

0 of 0 people found the following review helpful.
Five Stars
By Leonie Stephens
Great prompt service.....item was as expected. Thanks

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  • Published on: 1961
  • Binding: Mass Market Paperback

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Temporomandibular Disorders: Guidelines for Classification, Assessment, and ManagementFrom Brand: Quintessence Pub Co

These guidelines represent an updated version of the recommendations of the American Academy of Orofacial Pain for the classification, assessment and management of TMD. An extensive glossary offers an overview of terms commonly used in TMD research. The document is essential reading and reference material for dentists, physicians, allied health professionals, researchers, and those in the insurance industry.

  • Sales Rank: #2264716 in Books
  • Brand: Brand: Quintessence Pub Co
  • Published on: 1993-02
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.00" w x .50" l,
  • Binding: Paperback
  • 141 pages
Features
  • Used Book in Good Condition

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Sunday, June 12, 2011

[Z395.Ebook] Download Ebook The Journey Piano Songbook, by Greg Maroney

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The Journey Piano Songbook, by Greg Maroney

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The Journey Piano Songbook, by Greg Maroney

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The Journey Piano Songbook, by Greg Maroney

The Journey songbook is the companion sheet music collection to Greg Maroney s 2010 CD release by the same name. Most of the eleven pieces have been transcribed note-for-note and a few have small changes for clarity and playability.
Intermediate to Advanced

  • Sales Rank: #2677913 in Books
  • Published on: 2011-01-15
  • Binding: Spiral-bound
  • 90 pages

Review
The Journey songbook is the companion sheet music collection to Greg Maroney s 2010 CD release by the same name. Most of the eleven pieces have been transcribed note-for-note and a few have small changes for clarity and playability (I know this because I proofed the sheet music). The pieces appear in the book in the same order that they appear on the CD, so it is possible to achieve the same seamless flow of the album at your own piano. Maroney is an amazing pianist, so this is not the easiest sheet music out there, but none of the music is impossibly difficult either. A few of the pieces would be playable for an upper-intermediate player, but most are more early-advanced to advanced. There is a nice range of key signatures from A minor (no sharps or flats) to F# major (six sharps) with just about everything in between. There are a few reaches of more than an octave, but pianists with smaller hands can always roll those chords or shorten them (there are not enough of these to present a problem). The transcriptions have a nice, roomy layout with very clear notes and lots of white background, making them easy to read and understand quickly. Dynamics and expression are clearly marked, and a few tricky passages have fingering. The length of the pieces ranges from five pages to fourteen. I have been a big fan of Greg's music for a lot of years, and have taught many of his pieces to my advancing students. It is such a pleasure to sit for an hour or so playing his music and discovering how he plays the pieces himself. Greg's sheet music is available from his website, and I recommend it very highly!
2/1/11 --By Kathy Parsons, Mainly Piano

About the Author
Greg Maroney is a pianist and composer of classically influenced New Age solo piano music. His music is emotionally rich yet peaceful, capturing the beauty and majesty of life. He can be compared to other masters of contemporary piano such as Wayne Gratz, David Lanz, Michael Dulin, Liz Story, David Nevue, and Jim Brickman. Greg currently lives with his wife on a small farm in south central Pennsylvania. They have chickens, raise a great deal of their own food, and seek to live peacefully and in harmony with nature.

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3 of 3 people found the following review helpful.
From MainlyPiano
By Kathy Parsons
"The Journey" songbook is the companion sheet music collection to Greg Maroney's 2010 CD release by the same name. Most of the eleven pieces have been transcribed note-for-note and a few have small changes for clarity and playability (I know this because I proofed the sheet music). The pieces appear in the book in the same order that they appear on the CD, so it is possible to achieve the same seamless flow of the album at your own piano.

Maroney is an amazing pianist, so this is not the easiest sheet music out there, but none of the music is impossibly difficult either. A few of the pieces would be playable for an upper-intermediate player, but most are more early-advanced to advanced. There is a nice range of key signatures from A minor (no sharps or flats) to F# major (six sharps) with just about everything in between. There are a few reaches of more than an octave, but pianists with smaller hands can always roll those chords or shorten them (there are not enough of these to present a problem). The transcriptions have a nice, roomy layout with very clear notes and lots of white background, making them easy to read and understand quickly. Dynamics and expression are clearly marked, and a few tricky passages have fingering. There are one-page samples of each of the pieces on Maroney's website ([...]), and those will give you a very clear idea of what to expect. The length of the pieces ranges from five pages to fourteen.

I have been a big fan of Greg's music for a lot of years, and have taught many of his pieces to my advancing students. It is such a pleasure to sit for an hour or so playing his music and discovering how he plays the pieces himself. I recommend it very highly!

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Saturday, June 11, 2011

[M452.Ebook] Get Free Ebook Serenade No.2 in G minor Op.69b for Violin and Orchestra (Conductor's Score 9x12 inches) SKU:EZ-2097, by Jean Sibelius

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Serenade No.2 in G minor Op.69b for Violin and Orchestra (Conductor's Score 9x12 inches) SKU:EZ-2097, by Jean Sibelius

This is the Conductor's Score in 9x12 inches.

Instrumentation: 2 Fl, 2 Ob, 2 Cl(B), 2 Bsn, 4 F Hn, Timp, perc, Solo Violin, Strings.

Composed in 1912/13, the two Serenades for Violin and Orchestra are delightful works that despite being rarely heard in the concert hall, are beautiful pieces by one of Europe's most acclaimed composers of the 20th century.

  • Published on: 2010-11-01
  • Format: Sheet Music
  • Binding: Paperback

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Serenade No.2 in G minor Op.69b for Violin and Orchestra (Conductor's Score 9x12 inches) SKU:EZ-2097, by Jean Sibelius PDF
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